How To Hypnotize Someone In 5 Simple Steps
Continuing on from our previous chapter on how to hypnotize through mentalism -
Excerpt:
Now, as you know how to induce hypnosis, A hypno-
know how to handle the subject by building an
environment around him, taking care to name all
of the senses necessary to enforce a response to
the environment, you are a hypnotist (?). No. I
have taught too many, and feel that you still fail
to comprehend me.
You have a hypnotized subject in your room.
We will assume it is up one flight of stairs. What
will you say to him when you desire him to go to
the postoffice? Now, mind, he doesn't know the
way to the postoffice, he is a stranger. Why, you
would say to him, "When you open your eyes, you
will go to the postoffice and get me a letter," and
the subject will fail to move ; because, remember
this, a hypnotized subject is a blind man. He
doesn't take in impressions, he throws out pictures ;
but the other senses are of such greater impor-
tance, forcing through actions already acquired,
that man, failing to comprehend the value of this
law of attributes, overlooks the importance of the
other senses. Treat a hypnotized subject as a
blind man. He is now sitting in the center of my
room up one flight of stairs, and I say to him,
"When you open your eyes you will find yourself
in my room. There is an important letter for me
at the postoffice which I am desirous that you, as
a good fellow, will go and get for me. The mo-
ment you stand up you will walk five feet to your
left and you will come to the door, on the left side
of that door is the knob ; the door opens towards
you. Passing out of the door for two feet you will
find the head of the stairs ; by putting your hands
on the banister at your left, you can follow down
the stairs. To your right is a door with the knob
on the right, which opens towards you. You pass
into that room four feet, then turn to the right, go
three feet and you will find another door with a
knob on the right, which opens towards you; go
through the doorway and you will turn to your
left ; you walk two feet, then turn to the right and
walk eight feet, when you will come to another
door with the knob to your right. You will open
that door and step on to the porch. After walking
four feet you will come to three steps. By walk-
ing straight ahead eight feet, you will come to two
more steps. You will then be on the sidewalk.
You will walk twenty feet to reach the corner of
the street, turn to your right and cross the street,
et cetera."
Again, my pupil, you have a subject sitting in
the center of the room, and wish him to go to the
radiator on the opposite side of the room to comb
his hair at an imaginary looking-glass. What will
you say to him ? Why, you will say to him, "When
you open your eyes, you will go to the looking-
glass just across the room from you and brush your
hair ( ?)." The subject opens his eyes, but will not
move. Why? Why do people brush their hair?
Because it is disarranged. Therefore the first
thing the subject must know is that his hair is
tousled ; then he must be told exactly where the
looking-glass is and that on this affair is a comb
and brush ; or, in other words, you must name the
sight for him, because through hearing and sight,
in many cases we reach the identical result. You,
reading this book, are really receiving sound im-
pressions; I am giving you words through your
eye. With a hypnotized subject, we are giving
him sight through his ear. So that is how we
hypnotize someone really. The more sense-pic-
tures we specifically arouse, the more comprehen-
sive the action of the subject ; provided, the things
he comes in contact with do not give him directly
opposite suggestions.
We will assume that you are giving a parlor en-
tertainment. You have led your subject into hyp-
nosis, and have him back into his chair. He has
the nosebleed. Now, pupil, what are you going
to do? Hypnosis is the spoon with which you
give your medicine. When you are tired of any
action, conditionally awakened in said subject, in-
duce hypnosis again. Say to him, "Close your
eyes, go deep asleep," and now we are where we
started from. We again have hypnosis ; then tell
him, "When you open your eyes, so and so will
happen, or is the case." If the man is standing up
and you say to him, "Close your eyes, go to sleep,"
or, "You are asleep," he will fall over, because one
of the attributes of sleep is the relaxed muscles.
Therefore, when he is doing any action, associate
with that action that it will be more congenial or
comfortable for him to take his seat, then tell him
to close his eyes, he is deep asleep, or you must
step up beside him and catch him in your arms.
Now, the necessity for this may not always be ap-
parent. Many amateurs will say, "Not neces-
sary;" but I am writing of a man or operator who
is working clean-cut and is not allowing the sub-
ject to be "dopy," half conscious (?) of his environ-
ment, half conscious of the inspiration given him.
If the subject is completely lost to his environment,
as he should be if the operator understands his
business, he will drop over every time. Now, I
know that many of these statements amateurs will
deny, but I unhesitatingly answer that if they know
their business and work correctly they can dem-
onstrate every affirmation made here ; that they all
work with "dopy" subjects ; that they do not and
have not ever comprehended the Law of Sugges-
tion ; they do not get perfect or correct work from
their subjects to hypnotize them.
On the stage when I wish to conclude an action,
I thoroughly awaken my subjects, allowing them
to take their seats and enjoy laughing at the
others. As hypnosis is entirely a self-induced con-
dition ; that is, a man with ordinary intelligence
can learn to take it on at once after the first time.
I consequently awaken him. When I want to use
them again, I tell them to put their hands to-
gether, close their eyes and go to sleep; they
readily take on the attributes necessary; I repeat
to them, "Drowsy, sleepy," et cetera, a couple of
times and they are in hypnosis, after which I in-
spire them with any thought I see fit.
As it is apropos, I shall here tell of two occur- Pre-inspira-
rences which will demonstrate the self-induced (pre- tion
inspired, "auto-suggested") condition as to hyp-
nosis. While lecturing through Michigan in 1895,
I preceded every exhibition with an hour's talk on
hypnosis, et cetera, carrying the story from night
to night for the six nights. A majority of the
drummers traveling through the country made it
their special duty to hear and comprehend the
entire six lectures. One of these drummers had a
son fifteen years of age ; his residence, a town in
Ohio. One day he received a telegram from his
wife saying that their son had been a subject for
some hypnotist, who a week prior had exhibited in
the town, and that the son now was in such a condi-
tion that every time she told him to go to school
he fell asleep and could not be aroused, and noth-
ing could be done with him. The father, having
thoroughly comprehended my lectures, wired the
mother not to worry, that he would go home. He
did so. After getting off the train, he went to a
harness shop and bought a buggy whip, arrived
home and asked John why he didn't go to school,
and John told him that the professor had left him
in such a condition that he could not go to school
The father said, "Well and good ; I will remove the
effect of the professor," and gave the boy a good
horsewhipping; ever since he has attended school
without the least sign of hypnosis. This is another way
to hypnotize someone of course.
Another : In L, , New York, a very bright lad of thirteen
or fourteen years of age was on the
stage with me three or four nights. On Saturday
night his mother and sister came to me in the
dressing-room and said they could do nothing with
the boy, that every time they told him to chop the
wood or draw water, he would fall over asleep, and
they said they were going to have me arrested. I
asked her if she would do exactly as I told her, in-
forming her if she would she would have no more
trouble with the boy. The mother, being a good,
sensible woman, said she would. I told her to take
the boy's pants down, lay him across her lap face
downward, and warm him with her hand, which
she did. Some three weeks afterward I met her
and she told me she had no further trouble.
A few years ago professors (?) in the dime
museums of the large cities used to put subjects
to sleep and, failing to awaken them, would send
for physicians. The learned ( ?) doctors, after ap-
plying electricity, cautery, et cetera, in the course
of eight or ten hours awakened (?) them, only they
didn't; the hypnosis passed off. Why is it that
every operator excepting myself, and I state this
unreservedly, has had trouble many a time in
awakening his subjects. In a town in Illinois I
arrived late. The subject they brought me was
one that, after experimenting upon, was always
left to lie on the floor from six to ten hours, as they
could not awaken him and he had to "sleep it off."
Never fail Now, to answer the question previously asked,
to awaken "Why is it that I have never failed and all others
do fail ?" The reason is simply this : That when
we put the thought of sleep into a subject's "mind,"
it must be done with a firm voice. If you know anything
about hypnotizing someone, this will come as quite
an understanding to you. That is the key.
The moment we become doubtful or fright-
ened, we have lost the firm voice ; inasmuch as the
voice is the utterance of the "mind," and what we
think, we say in tone and in action ; if we are fright-
ened and say, "All right," to the subject and clap
our hands, he doesn't respond to it because we
have lost the key ; but if we never get rattled, there
is no possibility of failing to awaken the subject.
It may be that we will be obliged to use language
expressed by dashes — such a case happened in a
city in Arkansas. A young lady had been reading
about the woman who had been asleep in St. Louis
for thirty days, and whom none had been able to
awaken. Of course, she was a neurotic. When
I said, "All right," and clapped my hands, she failed
to awaken. Her friends in the parlor became
greatly frightened, so I asked them to retire ; then
quietly informed the lady that if when I said, "All
right," and clapped my hands, she failed to awaken
I would have to do things that would be very
inelegant, seemingly ungentlemanly, and above all
things I was not there to be made a fool of.
I then said, "All right," clapped my hands, and she
was wide-awake. Keep your nerve, always treat a
hypnotized subject as a rational being, and there
will be no trouble. If you are possessed of a doubt
as to the subject awakening, you are lost; he may
be awakened to the degree of "lack of doubt," but
not thoroughly. The operator's voice is the
thought (in action).
Find out how you can learn how to hypnotize someone in 5 simple steps